"Amazingly dangerous Major Category 5 Hurricane Matthew was in the deep southern Caribbean overnight Friday into Saturday, just north of Colombia where there's a hurricane warning. The north turn is forecast to occur this weekend, with Jamaica and Cuba at risk. For next week, the Bahamas and Florida are a possibility. Stay informed this weekend.
El increÃblemente peligroso ciclón mayor categorÃa 5 Matthew estaba en el extremo sur del Caribe en la madrugada del sábado, justo al norte de Colombia donde está en efecto un aviso de huracán. El giro al norte se pronostica comience este fin de semana, con Jamaica y Cuba en riesgo. Para la semana que viene, las Bahamas y la Florida son posibilidades. Manténgase informado este fin de semana."
Best known as Jarvis/Vision in the blockbuster Marvel movies “The Avengers,” “Avengers: Age of Ultron,” and in “Captain America: Civil War,” Paul Bettany, who has also rendered an unforgettable performance in “A Beautiful Mind,” takes the director’s chair in his (directorial) debut in the movie “Shelter” which he also wrote, about two homeless people and their harrowing plight to survive.
“Shelter” stars Jennifer Connelly opposite Anthony Mackie (who has also appeared in “Avengers” movies as Sam Wilson aka Falcon). In “Shelter” Connelly takes on the character of Hannah while Mackie stars as Tahir. Both come from two different worlds. But when their lives intersect, they’re at the same place: homeless on the streets of New York.
Bettany’s directorial debut is a love letter to the great New York dramas of the 1970s, “Shelter” is an unmerciful story of loss, love, sacrifice, redemption and, ultimately, hope. At the backdrop of New York, Connelly as Hanna is a heroin addict and wanders the streets day in, day out begging for money while holding out a sign that says ‘I used to be someone.” Nigerian immigrant Tahir whose visa has already expired performs on the streets drumming on plastic buckets to draw people in to drop in coins and bills. Their lives began to intertwine when Tahir spies his stolen jacket around her waist and eventually saves her from killing herself.
“Shelter” will open on October 12 exclusively at Vista Mall Cinemas and Starmall Cinemas from CrystalSky Multimedia. Vista Mall Cinemas and Starmall Cinemas’ “Movie Date Night” promo will offer 50% off for every movie ticket of “Shelter” purchased on Friday and Saturday (night screenings only).
“Shelter” will open in Starmall Edsa-Shaw, Starmall Las Pinas, Starmall Alabang, Starmall San Jose, Vista Mall Taguig and Vista Mall Sta. Rosa.
From the creators of “Shrek” comes DreamWorks Animation’s “Trolls,” a smart, funny and irreverent comedy about the search for happiness, and just how far some will go to get it. The film transports audiences to a colorful, wondrous world populated by the overly optimistic Trolls, who have a constant dance in their step and a song on their lips, and the comically pessimistic Bergens, who are only happy when they have Trolls in their stomachs. After the Bergens invade Troll Village, Poppy (Anna Kendrick), the happiest Troll ever born, and the overly-cautious, curmudgeonly Branch (Justin Timberlake) set off on a journey to rescue her friends. Their mission is full of adventure and mishaps, as this mismatched duo try to tolerate each other long enough to get the job done.
Happiness was foremost in the minds of “Trolls” director Mike Mitchell and co-director Walt Dohrn, even during the earliest stages of story discussions with screenwriters/co-producers Jonathan Aibel and Glenn Berger and producer Gina Shay.
The two filmmakers had worked together on DreamWorks Animation’s blockbuster “Shrek” franchise, and their familiarity with the beloved ogres of that world led them to their distant cousins, the Trolls. Their research into Troll lore, which sprang from Scandinavian mythology, revealed that Trolls came in myriad shapes and sizes, from monstrous giants to tiny creatures who granted wishes. As DreamWorks had done with Shrek, Mitchell and Dohrn decided to adapt the Trolls mythology to create a new universe and set of characters.
The filmmakers note that they did embrace one aspect of previous Trolls history. “We were fascinated by how these creatures were originally scary and evolved over time into being cute and lovable,” says Mitchell. “In the 1970s they became a symbol for happiness.”
“Those ideas compelled us, as did the opportunity to create a story and mythology from scratch,” says Dohrn. “We decided it was time to start spreading some joy again. Mike and I had a blank slate, from which we could create anything with these characters, their story and their environments. With happiness as a guidepost, we wanted to create a film with a mix of fun, adventure, heart, music, color and textures.”
In many ways, says producer Gina Shay, another of Mitchell and Dohrn’s Shrek franchise alumna, “Trolls” hearkens back to the 1970s, a time “when there was this feeling of freedom; disco, pop and dance music was everywhere; and everybody seemed to be roller skating. We wanted the Trolls to reflect that joy in their society. They’re also very peaceful.”
The Trolls even have a special kind of watch that reminds them to hug every hour on the hour. No matter what they’re doing, when the watch blooms, it’s “hug time.” Notes Mitchell: “Part of being happy is connecting with others, and what better way to show that than with a hug.”
“Trolls” opens November 2 in cinemas nationwide (2D and 3D) from 20th Century Fox to be distributed by Warner Bros.
