"When news surfaced that Lav Diaz' latest film was a self-billed "rock opera" titled 'Season of the Devil', you'd have been forgiven for thinking the prolific Filipino maximalist had made a drastic departure into proggy 1970s Ken Russell territory. As it turns out, Diaz's definitions of both "rock" and "opera" are as idiosyncratic as everything else about his super-sized filmmaking. Dwelling solemnly on the lives and communities destroyed under the Marcos Dictatorship, and performed entirely in incantatory, instrument-free song that won't be giving Lin-Manuel Miranda any sleepless nights, this uniquely onerous experiment may ostensibly be the filmmaker's first musical, but its mood, aesthetic and historical outlook all place it unmistakably in Diaz's creative universe: call it "Lav Lav Land," if you will. It's hard to see any amount of festival honors sparking commercial interest in a project this oppressive and repetitive by design, posing some challenges even to the Diaz faithful; specialist streaming outlets are best placed to honor "Devil's" to-the-rafters political ferocity and undeniable singularity of vision."
Maybe Lav should try to make something more accessible by average viewers like us next time, like his award-winning "Kriminal ng Barrio Concepcion" which we really enjoyed then.
Read more @ Showbiz Portal
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